Get to know Jonathan Brightman and some of his ideas
Get to know Jonathan Brightman and some of his ideas? Downloading and the internet are both a blessing and a curse for musicians. What is your take on the industry as it stands today? Where do you see it heading? Jonathan Brightman: I think the musician will have to catch up with all this technology. In other words, a band may have to use more of their own words, images, actions and give more of themselves up to be noticed. These days anyone can edit a video and put up content. We’re going to have to learn how to be as creative on several formats now. After all this time, do you still keep up to date, with what Buckcherry are doing? Jonathan Brightman: Actually, I heard one of their new songs on satellite radio recently. I think they released a few records after my departure. But the song was really good. Everything was in key.
Jonathan Brightman and Buckcherry: Buckcherry is an American rock band from Anaheim, California, formed in 1995. The band released two albums, Buckcherry (1999) and Time Bomb (2001), before dissolving in 2002. In 2005, lead vocalist Josh Todd and lead guitarist Keith Nelson reformed Buckcherry with a new lineup and released a new album in 2006, 15. It contained Buckcherry’s biggest crossover hits to date, “Crazy Bitch”, and their first Billboard Hot 100 top ten hit, “Sorry”. Their fourth album, Black Butterfly, was released in 2008, and their fifth album, All Night Long, was released in 2010. Buckcherry released their sixth album, Confessions, in 2013, followed by their seventh album Rock ‘n’ Roll in 2015.[2] They released their eighth album Warpaint in 2019.
Black Robot is a California-based hard rock band formed in 2008 by bassist Jonathan Brightman (JB). Their debut album was released June 8, 2010 on Formosa Records/Rocket Science Ventures Brightman is a founding member of the Grammy nominated band Buckcherry, co-writing and performing on their self-titled debut album, as well as their follow up Time Bomb. After parting ways with Johns, it was announced in December 2011 that Los Angeles singer Jeremy Aric had joined the band. Soon after, they re-entered a Nashville, TN studio with producer Dave Cobb to record their second album titled Woman.
Tell us about the whole ‘Black Robot’ concept? Jonathan Brightman: The concept is to return to the time when bands were making albums and exploring the music with no concern whether it’s cool or appropriate for the radio. We like giving the audience a chance to use their imaginations with our Robot. We’d like to see the Robot come to life one day.
Over the past years Brightman Music has been a top Producer Management firm based in Southern California with a presence in New York City and Nashville, Tennessee and London, England. We represent some of the recording industry’s most highly recognized award winning producers, mixers, songwriters and engineers as well as tomorrow’s game changers. We hold a unique emphasis and proven track record on the discovery and development of groundbreaking chart-topping new artists. Our clients work with artists and record labels, big and small from every corner of the globe. We celebrate musical diversity and support artists of all genres. Find even more details on Jonathan Brightman.
How long after the demise of Buckcherry did you begin working on new music? Jonathan “JB” Brightman: The way this happened…right after I left Buckcherry Huck (Johns, singer) was moving to Los Angeles. I had made friends with him and we just started writing. So we had written some songs, but there was no agenda to create a band. What Huck and I really intended to do was to have Yogi (former Buckcherry guitarist) and Devon (former Buckcherry drummer) in the band, but that didn’t really work out. I needed some time away from what would become Black Robot. When it came time, I called Yogi and Devon and said to them, “Let’s just go in the studio for two weeks and let’s make a record.” I didn’t have any expectations. I wanted to get in the studio, record, have a good time and if a great record came out of it then we’d release it. It was no pressure.
