The growth of a music orchestra conducting expert : Kentucky’s Logan J. Blackman
Meet Lexington’s Logan Blackman and some of his music conducting thoughts: Wow. I am so deeply sorry for your loss. I can’t even imagine what that has been like for you. You are a strong man. Speaking aside from your personal perspective, where do you find your inspiration? Logan J. Blackman : I take a lot of inspiration from John Williams, Beethoven, Brahms, Mahler, and Mozart. What are you currently working on? Logan J. Blackman : Compositionally, I only have a new set of bassoon duets I am working on. However I intend to be writing more very soon. Most of my musical efforts today have been working towards doing some recording of piano works. Read even more info at Logan Blackman Kentucky.
Founded in 1918 and made up of undergraduate and graduate musicians from across the United States, Asia, South America and Europe, the UK Symphony Orchestra has long served as one of the university’s most prominent music ensembles. This year the ensemble continues that tradition with performances of some of the greatest works in the orchestral repertoire, alongside contemporary works that push the boundaries of orchestral music. Concerts will feature music by the likes of Ludwig van Beethoven, Pyotr Ilyich Tchaikovsky and George Gershwin, and by modern composer John Adams. The orchestra also continues its partnership with UK Opera Theatre, performing next in the program’s production of “The Barber of Seville.”
When Bernstein composed the Cinchester Psalms, he specified that the second Psalm be sung by either a boy soprano or a countertenor. The voice of a boy soprano imparts a sense of innocence and spiritual purity, and a well-trained countertenor can sing with unrestrained clarity within the vocal range of a contralto or mezzo soprano. His voice resonates a distinct timbre simply because it is a male voice singing outside the limits of its ordinary range. Although Bernstein’s Psalms are sung in Hebrew, we are all familiar with the biblical text. Jefferson Johnson conducted this demanding choral work as the combined choruses admirably rose to the occasion. The first Psalm calls for us to live joyfully; the third pleads for us to live in unity; the second, bridging the first and third, encourages us to travel through life with faith and courage. And countertenor Joseph Kingsbury delivered this Psalm with mesmerizing articulation, tonality, and agility: “The Lord is my shepherd, I shall not want.”
The UK Symphony Orchestra February concert will feature Robinson accompanied by the UK Symphony Orchestra on Carl Nielson’s Clarinet Concerto, Op. 57. The orchestra will also perform Gustav Mahler’s First Symphony and Logan Blackman’s “Prayer of a Broken Heart.” Blackman’s “Prayer of a Broken Heart,” a tone poem, was originally written for a wind ensemble back in 2012 following the sudden death of the composer’s parents in October 2011. “It was my reaction to their death describing what I had been through and what my future had to hold,” Blackman said. Read extra info at Logan Blackman.
When Blackman got to the University of Kentucky, he started working on adapting “Prayer” into an orchestral work, at first simply transcribing it. But then, he started to do more, and the work attracted attention. “He joined the orchestra as an undergraduate bassoonist, and it soon became clear that his interests were wider than just playing the bassoon,” UK Symphony Orchestra director John Nardolillo says. “I knew he composed, and he asked me if I would look at the score to this piece he’d been working on. Then he asked if he could take some conducting lessons. So he was working on conducting and I looked at the score, and the score is interesting, and his level of commitment and involvement and interest in conducting, composition and performing is quite high. The story of the piece is compelling, and it seemed like we were in a position to help him with those things.
